Way Maker

Sinach

Sinach (Osinachi Kalu Okoro Egbu) (Writer)

KEY E BPM 75
Copyrighted song — chords, structure & tips shown. Full lyrics require a CCLI license.

A E B C#m

A E B C#m

A E B C#m

A E B C#m

A E/G# B C#m

Playing Tips

🎸 Strum Pattern

This entire song uses one chord loop: A, E, F#m, D. Every section is the same four chords in the same order. Because of this, your strumming groove is what carries the song. Play a steady, consistent strum all the way through and let the rhythm do the work.

A strum pattern that works well: down on beat 1, down-up on beat 2, down on beat 3, down-up on beat 4. Keep your wrist relaxed and moving freely. At 75 BPM this feels comfortable and has a gentle forward motion. Accent beats 2 and 4 slightly for a natural groove.

🔊 Dynamics

Since the chords never change, volume is how you tell the story. Start with just guitar and soft vocals. Add bass on the second verse pass. Bring in drums at the first chorus. By the second or third chorus, the whole band should be in. The bridge is usually the loudest and most worshipful moment.

The bridge uses the same chords but in a different order: F#m, E, D, A. This small shift feels fresh and is a good signal to the congregation that something special is happening. Many worship leaders use this section for an extended moment of prayer. Keep the music going softly while people respond.

Transitions

Because the chords never change, the band cannot use a chord change to signal a new section. Use visual cues instead. The worship leader can raise a hand, the drummer can play a simple fill, or the bass player can change octave. Keep transitions clear and rehearsed so the band stays together.

🎵 Band Direction

Keys: start with a simple, soft pad. Build to full chords by the bridge. Electric guitar: a clean tone with just a little warmth works well here. Avoid heavy distortion. Bass: the A-E-F#m-D chord roots are easy to follow. Play confidently and in the pocket. The whole song depends on the rhythm foundation.

🎤 Vocal

Key of A is comfortable for most voices. The melody stays in a narrow range, making it easy for the congregation to sing along after just one pass. The repetitive nature of the lyrics is not a weakness. It is meant to help people move past just saying words and into actually worshipping. Do not be afraid to repeat sections many times.

Open in Stage Mode Fullscreen, auto-scroll, screen stays on

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