Lilim (In Your Shelter)

Bea Barlaan (Writer) , Lee Simon Brown (Writer) , Ann Del Rosario (Writer) , Joshua Gayanelo (Writer)

KEY G BPM 76 LANG TL
Copyrighted song — chords, structure & tips shown. Full lyrics require a CCLI license.

G - G/B - C

EmD

G - G/B - C

EmD

Am - G/B - C

Am - G/B - C - D

G - G/B - C

EmD

G - G/B - C

EmD

C - D - Em - G/B

C - D - Em - G/B

C - D - Em - G/B

Structure

Verse 1 Pre-Chorus Chorus Interlude Bridge

Playing Tips

🎸 Strum Pattern

The G/B chord appears throughout this song and creates a smooth descending bass movement from G to B to C — a bass-line walk that gives the progression its flowing, unhurried quality. To play G/B cleanly, use your thumb over the top of the neck to fret the B on the A string at the 2nd fret, or play a full G shape and let the B string ring naturally as the bass note. The Em-D passing chords in parentheses are played fast — almost a half-beat each — so practice that specific transition in isolation before running the full chord chart. We isolate Em-D at tempo and drill it repeatedly before adding it back into the verse. The strum pattern we use is a gentle down-down-up, down-up throughout, flowing without stopping at the phrase end.

🔊 Dynamics

The title "Lilim" means shade or shelter in Filipino and the music should feel like shade on a hot day — quiet, cooling, restful. We always start with one acoustic guitar or piano only and do not add instruments until the pre-chorus where Am-G/B-C begins to build anticipation for the chorus. The Em-D passing chords in the verse, played softly, create a gentle rocking quality that settles the congregation very quickly into a restful posture. We never push this song dynamically. The bridge C-D-Em-G/B can loop quietly as many times as needed during a prayer moment. The song does its work at low volume — trust that.

🎵 Band Direction

We play Lilim capo 4 for male vocalists (the chord shapes stay the same, the sound is in B). For female vocalists we use capo 7 or capo 9 depending on range (sounds in D or E). Electric guitar with a clean tone and a light reverb works well — no overdrive, no heavy chorus pedal needed on this song. Piano holds sustained pads in the upper register. Bass is crucial on the G/B chord: the bass note is B, not G, so make sure your bass player reads the slash chord correctly or the smooth bass walk is lost. Drums use a brush or very light soft-stick pattern throughout — no loud kit on a song this intimate.

🎤 Vocal

The Em-D passing chords in parentheses are placed under the lyrical phrases where the melody either holds or moves quickly, so the vocalist needs to feel those chords rhythmically rather than chasing every harmonic shift. Coach your lead vocalist to sing gently and without affectation — no runs, no big vocal moments. The phrase "in Your shelter" is where the congregation leans in emotionally and the moment of yielding is what the song is built around. When this song is done with the quietness it calls for, the congregation is already in a posture of prayer before the chorus arrives — and that is the goal.

Transitions

We use Lilim specifically when the preacher requests a devotional atmosphere or when the message is about finding rest, dwelling in God's presence, or surrendering burdens. It works as a bridge from an energetic praise set into a quieter, more personal moment of worship. It pairs naturally before a prayer time or before Communion when you want people to enter a contemplative posture. Do not place this song at the opening of a service at high energy — it belongs in the settled, interior part of the set where people are ready to be still. Lilim prepares the room; let it do that.

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