Public Domain Traditional Praise Worship Joy

To God Be the Glory

Fanny Crosby (Writer) , William Howard Doane (Composer)

KEY G BPM 80
Verified public domain. Full lyrics and chords may be displayed freely.

Written 1875 by Fanny Crosby. Music by William Howard Doane. Public domain in all jurisdictions.

GTo God be the glory, great Cthings He hath Gtaught us

Great Gthings He hath done, and great Cwonders have D7wrought us

Great Gthings He hath showed us, what Cjoy to conGfess them

And Cgreat our reGjoicing thro' D7Jesus the GSon

GPraise the Lord, praise the CLord,

Let the Gearth hear His D7voice

GPraise the Lord, praise the CLord,

Let the Gpeople reD7joice

O Gcome to the Father, through CJesus the GSon

And Cgive Him the Gglory, great D7things He hath Gdone

O Gperfect redemption, the Cpurchase of D7blood

To every beGliever the Cpromise of GGod

The Gvilest offender who Ctruly beGlieves

That Cmoment from GJesus a D7pardon reGceives

Great Gthings He hath taught us, great Cthings He hath D7done

And Ggreat our reCjoicing through GJesus the D7Son

But Gpurer and higher and Cgreater will Gbe

Our Cwonder, our Gtransport when D7Jesus we Gsee

Playing Tips

🎸 Strum Pattern — Verse

Strum gently on verse 1 to let the congregation settle in. Play one downstroke per beat and keep the volume low. Save the bigger strumming for the chorus.

On the chorus, open up to a fuller strum with emphasis on beats 2 and 4. This hymn has a natural march-like energy, so a strong downstroke on beat 1 keeps everyone in time.

🔊 Dynamics — Verse

Start verse 1 at medium volume. Let the energy build naturally through the verse, then bring the full band in on the chorus.

The chorus is a declaration, so encourage everyone to sing out on "Praise the Lord, praise the Lord." On the last line, drop the band slightly and let the congregation carry the vocals on "great things He hath done."

Transitions — Verse

Coming out of the last verse chord before the chorus, a short pause or drum fill before "Praise the Lord" creates great contrast and signals the congregation that the chorus is coming.

🎵 Band Direction

Keys: play a soft pad under the verses, then add a fuller chord voicing on the chorus. Bass: walk up from G to C at the chorus entrance to lift the energy. Drums: light sticks or brushes on the verse, full kit on the chorus.

🎤 Vocal

Key of G sits comfortably for most voices. Female lead works well here. The "Praise the Lord, praise the Lord" line in the chorus is great for call-and-response. Sing it once and give the congregation room to sing it back.

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