Standing on the Promises
Words and music by Russell Kelso Carter (1886). Public domain in all jurisdictions.
Verse 1
GStand-ing on the prom-is-es of CChrist my GKing
Through e-ter-nal a-ges let His Dprais-es Gring
Glo-ry in the high-est I will Cshout and Gsing
Stand-ing on the prom-is-es of DGod G
Chorus
CStand-ing Gstand-ing
Stand-ing on the prom-is-es of DGod my GSav-ior
CStand-ing Gstand-ing
I'm stand-ing on the prom-is-es of DGod G
Verse 2
GStand-ing on the prom-is-es that Ccan-not Gfail
When the howl-ing storms of doubt and Dfear as-Gsail
By the liv-ing Word of God I Cshall pre-Gvail
Stand-ing on the prom-is-es of DGod G
Verse 3
GStand-ing on the prom-is-es of CChrist the GLord
Bound to Him e-ter-nal-ly by Dlove's strong Gcord
O-ver-com-ing dai-ly with the CSpir-it's Gsword
Stand-ing on the prom-is-es of DGod G
Verse 4
GStand-ing on the prom-is-es I Ccan-not Gfall
List-'ning ev-'ry mo-ment to the DSpir-it's Gcall
Rest-ing in my Sav-ior as my Call in Gall
Stand-ing on the prom-is-es of DGod G
Structure
Playing Tips
🎸 Strum Pattern — Verse
At 96 BPM this is the most energetic hymn in this batch — march-like and celebratory. A firm down-down-up-down-up strum pattern works well, or a simple four down-strums per bar with a strong accent on beat 1. The three-chord structure — G, C, D — makes this extremely accessible for any guitarist at any skill level. The end of each verse line settles on D before resolving to G, and that pull-and-release is the engine of the whole song. Make the D feel like it wants to go home, and let the G land decisively. On guitar, every chord change should be clean and confident — this song rewards confident playing above all else.
🔊 Dynamics — Chorus
The chorus — "Standing! Standing! Standing on the promises of God my Savior. Standing! Standing! I'm standing on the promises of God" — is one of the most immediately congregational moments in any hymn. The word "standing" on its own is both a declaration and a posture, and the congregation tends to straighten up when they sing it. I always have the worship leader signal the congregation to stand physically on the first chorus if they are seated — standing while singing "standing on the promises" is a small act of embodied faith that the congregation remembers. The C - G two-chord call on "standing, standing" is the hook. Let it ring clearly both times before moving into the longer phrase.
🎵 Band Direction
This hymn welcomes a full band with enthusiasm. Drums: a strong march groove with kick on 1 and 3, snare on 2 and 4, hi-hat driving eighth notes. Bass: roots solidly on every downbeat. Guitar: rhythm strumming together with the piano — both in the pocket, both confident. Keys: march-style chord stabs in the right hand. The song can take tambourine and hand percussion naturally. We have played this at outdoor events, youth camps, and church anniversaries, and in every setting the congregation joins immediately on the chorus because the call-and-response "standing, standing" is so simple and so satisfying. This is a song that makes people want to declare something together.
🎤 Vocal
Key of G at 96 BPM is ideal for energetic congregational singing. The melody sits in a comfortable range that almost any voice can sustain at volume without strain. The verse melody is strong and slightly march-like; the chorus is simpler and more declarative. Verse 2 — "by the living Word of God I shall prevail" — lands on G with a sense of triumph that the congregation feels. Verse 3 mentions the "Spirit's sword" which is a reference to Ephesians 6:17. When I lead this hymn during series on spiritual warfare or the Word of God I call out that connection to the congregation before we begin. Context changes how people sing a lyric.
→ Transitions
We use this hymn as a service opener when the theme is faith, the promises of God, or victory in Christ. It also works as a strong closer after preaching on scripture, since verse 3 refers to the Word as the Sprit's sword. I often close a service with it when the message has called people to a decision or a renewed commitment — the act of declaring "I am standing on the promises of God" is itself a response to the sermon. One of the elders in our church told me his late father sang this hymn every Sunday morning of his adult life. That kind of personal history lives in a hymn — when you lead it, you are leading more than a song.