For the Beauty of the Earth
Text by Folliott Sandford Pierpoint (1864). Tune DIX by Conrad Kocher (1838), arranged by William Henry Monk. Public domain in all jurisdictions.
Verse 1
GFor the beau-ty of the Dearth
For the Gglo-ry of the Cskies
GFor the love which from our Dbirth
O-ver Gand a-Dround us Glies
Refrain
GLord of all to CThee we Graise
DThis our hymn of Ggrate-ful Dpraise G
Verse 2
GFor the beau-ty of each Dhour
Of the Gday and of the Cnight
GHill and vale and tree and Dflow'r
Sun and Gmoon and Dstars of Glight
Verse 3
GFor the joy of ear and Deye
For the Gheart and mind's de-Clight
GFor the mys-tic har-mo-Dny
Link-ing Gsense to Dsound and Gsight
Verse 4
GFor the joy of hu-man Dlove
Broth-er, Gsis-ter, par-ent, Cchild
GFriends on earth and friends a-Dbove
For all Ggen-tle Dthoughts and Gmild
Verse 5
GFor Thy Church that ev-er-Dmore
Lift-eth Gho-ly hands a-Cbove
GOf-f'ring up on ev-'ry Dshore
Her pure Gsac-ri-Dfice of Glove
Structure
Playing Tips
🎸 Strum Pattern — Verse
The DIX tune has a bright, walking quality and I play it with a steady four-beat down-strum pattern — confident and joyful, never heavy. This is a thanksgiving hymn; the feeling should be like gratitude made audible. I add a slight emphasis on beat 1 to anchor each line of the melody, which gives the congregation something to lean into. Capo 5 in G shape (sounding in D) gives the guitar a lighter, more ringing tone that suits the text perfectly.
🔊 Dynamics — Refrain
Each verse surveys a different gift — earth and sky, day and night, human senses, relationships, the Church. I play them all at a similar warm dynamic, but I let the refrain — "Lord of all to Thee we raise, this our hymn of grateful praise" — be slightly brighter and more open each time. By verse 5, when we sing about the Church lifting holy hands, I let everything open up fully. That final refrain after verse 5 is the culmination: all of creation, all of human experience, all of the Church, gathered in one act of praise.
🎵 Band Direction
Keys: bright and full throughout, with a warm upper-register melody line. A brief ornamental run into the refrain on the second or third verse adds joy without distraction. Bass: root-fifth motion, energetic but not fussy. Drums: this hymn welcomes a full kit with a light touch — medium energy, nothing aggressive. We have played this on Thanksgiving Sunday with the full band and it always feels exactly right. If you have strings in your congregation, this is a beautiful arrangement for them.
→ Transitions
Verse to refrain moves naturally — just follow the melody. Between verses, keep a steady pulse without pausing. For the final verse and refrain, we sometimes slow the tempo by about 10 BPM and open up the dynamics on the last "this our hymn of grateful praise." Hold the final G long, let it breathe, then release into silence. A hymn about gratitude should end in a moment of stillness where the thankfulness can settle.
🎤 Vocal
Key of G is accessible and comfortable — the melody sits in a mid-range that most voices handle naturally. Male leads sound warm and grounded here. Female leads brighten the upper notes beautifully. The refrain is short and easy for any congregation to learn on a first hearing. Capo 2 gives you A; capo 5 gives you C for lower voices. Folliott Pierpoint wrote this hymn at the age of 29 after being struck by the beauty of the Somerset countryside in spring. He sat down and wrote it as an act of personal praise. What I love about that is its simplicity — he was not writing theology, he was writing a thank-you note to God for what he could see from where he was standing. We lead this hymn best when we bring that same simplicity to it.