Faith of Our Fathers

Frederick William Faber (Writer) , Henri Frederick Hemy (Composer)

KEY G BPM 80 TIME 3/4
Verified public domain. Full lyrics and chords may be displayed freely.

Text by Frederick William Faber (1849; 1814–1863). Tune ST. CATHERINE by Henri Frederick Hemy (1864; 1818–1888), arranged James G. Walton (1874; 1821–1905). Public domain in all jurisdictions.

GFaith of our Cfa-thers Dliv-ing Gstill

In spite of Emdun-geon Cfire and Gsword

O how our Ghearts beat Chigh with Djoy

When-e'er we Dhear that Gglo-rious Dword

GFaith of our Dfa-thers Gho-ly Dfaith

GWe will be Dtrue to Gthee till Ddeath

GFaith of our Dfa-thers Gho-ly Dfaith

GWe will be Dtrue to Gthee till Ddeath

GOur fa-thers Cchained in Dpri-sons Gdark

Were Emstill in Cheart and Gcon-science free

How Gsweet would Cbe their Dchil-dren's Gfate

If Dthey like them could Gdie for Dthee

GFaith of our Dfa-thers Gho-ly Dfaith

GWe will be Dtrue to Gthee till Ddeath

GFaith of our Dfa-thers Gho-ly Dfaith

GWe will be Dtrue to Gthee till Ddeath

GFaith of our Cfa-thers Dwe will Glove

Both Emfriend and Cfoe in Gall our strife

And Gpreach thee Ctoo as Dlove knows Ghow

By Dkind-ly words and Gvir-tuous Dlife

GFaith of our Dfa-thers Gho-ly Dfaith

GWe will be Dtrue to Gthee till Ddeath

GFaith of our Dfa-thers Gho-ly Dfaith

GWe will be Dtrue to Gthee till Ddeath

Structure

Verse 1 Chorus Verse 2 Verse 3

Playing Tips

🎸 Strum Pattern

Three-four waltz time at 80 BPM means three beats per bar — down, down-up, down-up is the natural strum pattern and it gives this hymn the dignified marching quality that matches the text about perseverance. Keep the strum even on the verse. On the chorus the pattern can stay the same or switch to a simple three-beat down pattern for a more unified feel when the congregation joins in. Em on the second line of the verse is the emotional color chord — do not rush past it.

🔊 Dynamics

This is a declaration hymn — it announces something rather than asking for it. Start at a medium-full dynamic on verse 1 and stay there through the chorus. Pull back slightly on verse 2 which is more reflective about the suffering of the faithful, then build again on verse 3 which turns the focus outward to love and witness. The final chorus should be the fullest moment of the hymn. End on a held G with the congregation still singing — let the declaration land before releasing.

🎵 Band Direction

This hymn rewards a full band arrangement. We play it with acoustic guitar, bass, piano, and light percussion. Electric guitar can play simple power chords underneath. The waltz time signature means the drummer plays a waltz pattern — hi-hat or ride on all three beats with a light snare on beat three. Bass walks the G-C-D-Em roots with steady quarter notes. The Em chord on verse line two should be felt — let it breathe before moving to C.

🎤 Vocal

The chorus "We will be true to thee till death" is a corporate vow. Teach your congregation to sing it as one voice — not individually but all together. When a room full of people declares "we will be true" it carries a different weight than solo singing. We use this hymn on Heritage Sundays or when honoring those who have gone before in faith. The declaration lands more powerfully when the congregation understands whose faith they are inheriting.

Transitions

Works best as an opening hymn on Heritage Sunday, special anniversaries, or a service honoring faithful members. Also powerful as a response after a sermon on perseverance or faithfulness under trials. Pairs well before "Great Is Thy Faithfulness" which picks up the same theme of God's faithfulness in return. Can also serve as a commissioning hymn at the close of a service when sending people back into the world with a charge to live faithfully.

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