Great Is Thy Faithfulness

Thomas O. Chisholm (Writer) , William M. Runyan (Composer)

KEY D BPM 80 TIME 3/4
Verified public domain. Full lyrics and chords may be displayed freely.

Written 1923 by Thomas O. Chisholm. Published 1923. Public domain.

DGreat is Thy D7faithfulness, GO God my DFather

There is no Dshadow of Aturning with E7Thee

AThou changest A7not, Thy comDpassions they D7fail not

As GThou hast Dbeen, Thou forA7ever wilt Dbe

DGreat is Thy Gfaithfulness, Dgreat is Thy Gfaithfulness

DMorning by Amorning new Dmercies I A7see

All I have Dneeded Thy D7hand hath proGvided

DGreat is Thy A7faithfulness, DLord, unto A7me

DSummer and D7winter and Gspringtime and Dharvest

DSun, moon and Astars in their E7courses above

AJoin with all A7nature in Dmanifold D7witness

To GThy great Dfaithfulness, A7mercy and Dlove

DPardon for D7sin and a Gpeace that enDdureth

Thine own dear Dpresence to Acheer and to E7guide

AStrength for toA7day and bright Dhope for toD7morrow

GBlessings all Dmine, with ten A7thousand beDside

Playing Tips

🎸 Strum Pattern — Verse

Great Is Thy Faithfulness is in 3/4, so we use a waltz feel with a gentle down-up-up pattern. Do not play heavy. This hymn is a personal testimony of God's faithfulness, and a hard strum fights the intimacy of the text. Let the song breathe between the beats.

🔊 Dynamics

We build this hymn slowly. Start with just acoustic guitar or piano on verse 1, add a second instrument on verse 2, then bring in the full team on verse 3. On the final chorus, we sometimes pull back to just keys and let the congregation carry it. The effect is powerful.

🎵 Band Direction

Piano is the natural home for this hymn. A soft left-hand bass pattern under a simple chord voicing works perfectly. If you use guitar, fingerpicking fits better than strumming. Avoid heavy electric guitar unless you have a strong arrangement planned. Keep the bass walking and light.

🎤 Vocal

The key of D suits most voices for this hymn. The melody stays in a comfortable mid-range and does not push into high territory, so even singers who are not confident can handle it without strain. If you need a lower key, C works well with simple chord shapes.

Transitions — Chorus

Coming off each verse into the chorus, we take a breath rather than rushing. The text calls for reflection, not pace. Let the last chord of each verse ring for an extra beat before beginning "Great is Thy faithfulness." That small pause keeps the congregation from rushing ahead.

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